easy to open
but getting your money back?
new circle of hell
easy to open
but getting your money back?
new circle of hell
I’ve barely searched my shelves and already have more potentials for the March reading theme than I can possibly get to. Topping the list in fiction:
Mind you, this was without searching my shelves. These are books that practically fell into my hands while I was perusing my shelves for other purposes.
Aside: I believe I spend more time perusing my bookshelves than most people spend cooking. (That could be a seriously weird comment about me, or a comment about how much time the average person spends actually cooking these days.)
I’m guessing the March theme is fairly obvious from the above list, but in case not, here are the books that have jumped off the nonfiction shelves (again, no perusal required):
And poetry contenders include:
Yes, the theme is women, timed to Women’s History Month. All things female count (including pronouns). My personal favorite is Pastrix (“A term of insult used by unimaginative sections of the church to define female pastors”). A female Lutheran pastor with tattoos. Lots of tattoos. This book will appeal to lovers of Anne Lamott.
This a great theme month. So many possibilities! Already I want to do it again. But also, I want to do a reading theme of the male variety. Again, books leap off the shelf and I’m still sitting at the computer: Maurice, Invisible Man, The Third Life of Grange Copeland, The Men We Reaped, The Curious Charms of Arthur Pepper, Angry White Men, Sons and Lovers. Lots of potential. I am working on being more bipartisan in many aspects of life. Books included.
The official reading theme for February was Day/Month/Season. I read only one book for the theme (a new and extreme low), but it was a good one: In the Bleak Midwinter, by Julia Spencer-Fleming—a mystery (first in the series) that has a female priest working (kind of) with the chief of police. I’m definitely intrigued enough to read the next one. What I find most compelling here is that the author goes into issues beyond the typical mystery genre. It puts me in mind of Louise Penny’s Three Pines mysteries, which are good purely as mysteries, but also seem spiritual in some way that is difficult to articulate.
But mostly in February I read Black History Month. It was an excellent experience of immersive reading, which I’m still processing a bit (and plus I went over into March and have only recently finished Tracy K. Smith’s memoir, Ordinary Light). More on that soon.
Good books to you, happy reading, and please do let me know of excellent books that you run across.
When I quit my job a few years ago, I had some specific goals for the year I was going to take off. I planned to read as much as I wanted to, and I wanted to learn to cook from scratch (beans and whole grains, soups and such). I wanted to learn more about medicinal herbs and make some simple remedies, preferably from my own herbs. And I wanted to start a blog.
I did not have correspondence on my radar. However, correspondence has become a major part of my life over the last few years, a huge unexpected joy.
It started with the haiku project in 2013. Write a haiku a day, put it on a postcard and send it to a friend. My Montana friend gracefully agreed to be the recipient of said postcards, and I decided to try to do a postcard a day for a year. I missed only a very few days, and I’m still doing it.
A friend in Colorado read about the project and started her own version of a postcard project with a variety of recipients (some receiving daily postcards and some receiving weekly postcards). I was one of the weekly recipients (and some weeks I received more than one). I am still one of the weekly recipients (we postcard project people clearly are not quitters), and she started her project back in August of 2014.
Fast forward to the fall of 2015. I started having serious computer problems. Email longer than a few sentences became untenable. It took a few months to figure out, but in the meantime, I was losing touch with some of my out-of-town friends, including Jami in Colorado.
So I started sending letters and cards via snail mail. This might seem extreme, but when it is taking two or three days to send an email, snail mail begins to look quite inviting. And I had an entire drawer full of cards that I had collected or received as gifts over the years, so there was no expense except postage. (Oh, and the obsession I developed with finding fun writing pens—you may not realize it, but sometimes you need to use different kinds of pens on different kinds of paper. Slippery paper requires special care.)
Jami (Colorado) almost immediately asked if I wanted to move completely (almost) from email to snail mail for the duration of my computer problem. Yes! And so it began.
With a weekly postcard and a weekly letter or card from Jami, plus occasional mail from other friends that responded in kind, getting the mail became much more fun. And the more fun it became, the more I wrote. The computer got fixed, and Jami and I continued our snail mail correspondence and still do. But now, it’s more like three or four cards a week (blank notecards that we usually write on both sides and the back), and it’s come to the point where I’m more likely to get something personal in the mail on a given day than not. And it’s not just Jami. I have several friends in town who send occasional cards and notes, and just today I got a postcard from a friend visiting Hawaii.
Sometimes I run across a funny in the newspaper that makes me think of a friend, and I clip it and send it to them with a note in a card (and it usually ends up being a longish note, because these are friends, and there are always things to say; also, smaller cards can be used if you are feeling somewhat less verbose on a given day).
I have one friend that I like to send scandalous postcards to because they make her burst out laughing when she finds them in the mailbox.
The payback? The payback is pure joy. First, I love writing (hence blog), so there’s that. But writing to close friends is more personal than the blog, and it can help me process feelings simply by writing them down, which is very grounding, so that’s a second thing.
Third, I get to support the U.S. mail system, which I think is one of the best things in this country. (And it also gives me an excuse to buy lots of the fun stamps the post office puts out, which I am tempted to count as number four but I won’t.)
Fourth, it brings joy into other people’s lives (a funny postcard, a poem, various goings-on, updates on important things like cooking successes and failures)—it singles a person out, and that means something; when the card is from a friend, you know it was chosen specifically for you; the words are written only to you. This primitive act of finding just the right card (or stationery), writing it, putting it in the envelope and addressing it (which of course means finding the address book), stamping it, and dropping it in the mailbox—somehow this primitive act does so much more than email. (I’m not sure which end experiences the greatest benefit, but I’m guessing the writer.)
Fifth, if you’re lucky, you might find a bit more personal mail on your porch floor (or wherever your snail mail lands). It’s fun. You pick it up, hold it in your hands. Read it (or tear it open and then read it), and if it’s a card, you often prop it up so you can enjoy it—usually for several days. (When’s the last time you propped up an email?)
Sixth, even if you don’t get more snail mail, you might strengthen relationships. I copied Jami’s weekly postcard idea and started sending a weekly postcard to my niece. This has led to a lot more correspondence (via text and email) and we’re both learning more about each other, which is a lot of fun.
Seventh, the correspondence can also be a form of artistic expression (especially with postcards). On my best days, the postcard picture reflects the haiku, and on the very best days, the stamp does too.
If this is new to you and you’re intrigued, you might want to consider starting small. Dig out some old postcards you got on vacation; send a note to a friend you’ve lost touch with.
Or perhaps you jump in with both feet and start your own project. A weekly postcard to an aunt or an old high school friend. A monthly riddle to your family….
If you like to write, you might be surprised at how much fun this can be. Addicting, really. Don’t say you weren’t warned.
I’m close to finishing Phoebe Robinson’s You Can’t Touch My Hair (one chapter left to go) and have pretty much loved it. The thing about Phoebe Robinson is that you (or at least I) feel like she’s standing right there talking to you. She’s funny, direct, and honest. First off, I learned a lot about hair. Black hair in general and women’s in particular. You might not care about this, but I found it fascinating, and it has given me a new appreciation (and the occasional silent wow) for black women’s hair. Don’t touch it. Don’t ask to touch it.
Moving beyond hair, Robinson addresses stereotypes, or what she calls the monolith of black, which I totally got when I read:
Blackness is not a monolith. There’s nerdy black, jock black, manic pixie dream black, sassy black, shy black, conscious black, hipster black . . . the list goes on and on.”
After a nanosecond of introspection, I realized I have a bit of this monolith perspective myself. (This comes up in many of the books I’m reading—the perceptions, the expectations, the stereotypes. My eyes are opening a bit. I read on.)
Because I am an introvert and tend to analyze everything social, this, in particular resonated with me:
I don’t know about other black people, but that Greek chorus of “But what will the white people think?” has been a constant in my brain for much of my life. “Man, I truly am going to be late, not because of CPT but because of traffic. But what will the white people think?” “I really want to order certain food off this menu at dinner. But what will the white people think?” “I want to speak out about some injustice I just witnessed. But what will the white people think? That I’m a troublemaker? Guess I should keep my mouth shut.” Do you know the amount of minutes, hours, days, weeks, months, years that have been wasted second-guessing each and every behavior because I was wary of how I was going to reinforce or dismantle certain stereotypes?”
This is an excellent book, and I haven’t included any of the funny bits, some of which were quite exceptionally funny.
After You Can’t Touch My Hair, I decided maybe a little balance with the old school was in order, so I pulled out bell hooks and Alice Walker. I thumbed through both, decided on Alice Walker, and life was good. But then I went Stop! Why go old school? Why not read another up-and-coming (or at least on my bookshelves for less than a decade) author? So I put Ms. Walker back and pulled Tracy K. Smith’s Ordinary Light off the shelf.
I’m not dismissing Alice Walker or any of her peers, but I think it’s time for me to get in touch with a younger generation of writers. Smith is Poet Laureate of the United States, and I’ve read a bit of her poetry, but Ordinary Light is a memoir, the story of “a young woman [born 1972] struggling to fashion her own understanding of belief, loss, history, and what it means to be black in America.”
I am beginning to begin to understand just a wee bit of what it means to be black in America.
In the fiction world, I loved The Sun Is Also a Star, by Nicola Yoon. Here is what you have: a girl all about science, a boy who writes poetry. She is a Jamaican immigrant scheduled to be deported at the end of the day. He is a Korean American, the younger son, destined to become a doctor. Science meets poetry. This YA book is a wonder on many levels. First of all, it has physics and multiverses (one of my pet physics theories and my own preferred explanation of infinity), and then you add poetry and I’m a goner. So much more—lawyers, parental issues, family angst… I won’t say more except that I laughed out loud, cried (more than once), and loved it.
In the world of poetry, I have moved on to Sonia Sanchez, Like the Singing Coming Off the Drums. A beautiful book I want to read slowly but can’t. I will leave you with this:
love between us is
speech and breath, loving you is
a long river running
Happy Valentine’s Day!
I’ve finished Hidden Figures, by Margot Lee Shetterly. What an excellent book! Both deeper and broader than the movie, the book covers a longer period of time, a larger swath of people (including African American men) and, occasionally, areas outside Langley and the state of Virginia. The book, Hidden Figures, is about many more hidden figures than the three highlighted in the movie.
I loved the book. I loved the movie. As is usually true, the book holds a lot more than the movie. There’s a lot of history, and many more stories in the book than could ever make it into one movie. It would have to be a documentary. Or several documentaries.
But here’s something. Almost always I will say I loved the book more than the movie (there are a few exceptions, and I’ll think of one soon—maybe The Hours). But in this case, I didn’t love the book more than the movie, but nor did I love the movie more than the book. I loved them differently, in a way that I’m not sure has ever happened to me before.
The movie was a good bit of history, but its primary impact on me was emotional. I was just there with these women. Certainly I learned a lot in the movie, but when I walked out of the movie, I was all yes!—Give women a chance and a place at the table and we can do just about anything. And these black women who broke so many barriers in the face of so much discrimination—it makes me pause in awe.
The book layered a lot more history on that good feeling, which was also a good feeling.
And then somewhere in there I took a break and watched Bagdad Café again. Does anyone out there know/remember this movie? One of my all-time faves (I think it would have to be in my top 10). I loved this movie for the music first, most specifically “Calling You” by Jevetta Steele—a mesmerizing and haunting song. I am not sure I can listen to this song without being moved to tears (is there any other song that falls into that category? Oh, yes, “What a Wonderful World,” by Louis Armstrong).
It might not work if you haven’t seen the movie (the emotional wallop of the song, I mean), not sure—I’ve mostly only heard it watching the movie (at least a dozen times now).
But this quirky movie is worth watching if it has escaped your radar. It’s one of those movies I seem to enjoy just a bit more each time, and I never tire of C.C.H. Pounder.
And I have recently learned that this song that I have loved for decades is sung by a local musician. Yes, right here in the Twin Cities. Jevetta Steele, part of the Steele family. (Thank you dear spouse for bringing this to my attention; I have a tendency to miss things close to home.)
Back to books. In the land of poetry, I’m On the Bus with Rosa Parks, by Rita Dove. About two-thirds through, I am thoroughly enjoying it. I especially liked the second section, “Freedom: Bird’s-Eye View,” which contains several gems. One of the best known may be “Maple Valley Branch Library, 1967,” and that certainly is a most excellent poem. I thought to include that one because I love it. But I decided on this one because it’s shorter and perhaps a little less well known.
The First Book
Go ahead, it won’t bite.
Well . . . maybe a little.
More a nip, like. A tingle.
It’s pleasurable, really.
You see, it keeps on opening.
You may fall in.
Sure, it’s hard to get started;
remember learning to use
knife and fork? Dig in:
You’ll never reach bottom.
It’s not like it’s the end of the world—
just the world as you think
you know it.
We’re still in serious winter here in Minnesota, so I’m going back to hibernating with my books. Stay warm (to those of you in the winter climes) and happy reading to all!
No, I’m not going to do a daily report (I don’t read—or write—fast enough to make a daily report interesting) but I hope to provide several updates throughout the month.
A few days ago I started Phoebe Robinson’s You Can’t Touch My Hair and Other Things I Still Have to Explain. I’m about a quarter of the way through and loving it. At least three times I’ve almost gotten up from the table to email Ms. Robinson and tell her how much I am loving her book, but coffee and inertia win out. There’s a good chance I’ll still write her. From my chair, the first two chapters of the book alone were worth the price. Already I respect black women more (yes, this is how much I don’t know). The power of hair.
To leaven the pot a little bit, tonight I read the preface of Hidden Figures, by Margot Lee Shetterly (on which the movie—which I loved—was based) and I got teary-eyed just with the preface. This is some fine history of the key role that black women played in the NASA space program. (If you haven’t seen the movie—oh my. I will only say I loved it. I’m sure not everyone should love it just because I loved it, but really, in this case, maybe yes. Excellent story, excellent acting. And you can get it from the library.)
I was a little surprised/disappointed that I didn’t have any African American poetry on my to-read shelf (I found several on my poetry-to-keep-forever shelf, but I find I want to go beyond what I have already read). I requested several books from the library in late January, as soon as I discovered my in-house dearth. The next day, five were already in transit. Yes! I checked online this morning, and still none had arrived. But this afternoon I took a chance and stopped by the library. You never know when the books might arrive. I headed right to the reserve books, and boo, none had arrived. So I hunted up poetry (buried in nonfiction, which surprised me, and all mixed up with essays and children’s books—I need to ask my librarian friend about this; it feels like Dewey Decimal run amok). That was fruitless, but the 10 minutes I stood trying to make sense of the shelves made a difference. I stopped by the reserve shelves on my way out, and yes! There they were, 3 (of 10) that I requested: On the Bus with Rosa Parks, by Rita Dove; and Morning Haiku and Under a Soprano Sky, both by Sonia Sanchez.
And while logic would have it that I start with Sonia Sanchez so that I could then read Dove and not get all samey-samey, I purely could not stop myself from starting with the Rita Dove book. I have read only the first bit, but I am happy with my choice. I love Rita Dove (2 books on the keep-forever shelf) and this is a most excellent start to the month.
I’m not new to black literature, but this immersion experience is new. I know I will learn a lot. I wonder if it will change me. It well might. This is the power of books.
I’ll keep you in the loop.
A funny thing happened as I was finishing up the “Love” chapter of Krista Tippett’s book, Becoming Wise: An Inquiry into the Mystery and Art of Living. Somewhere after reading longish passages from her conversations with Elizabeth Alexander (African American poet) and finishing the chapter, I decided I needed to read more black and African American literature. I decided to prioritize all the black writers in my theme pile for February.
Guess what? Not a one. Well, boo. January was great with African American writers I didn’t get to. So I decided to go rogue and push the book theme to the side (not completely) and focus on black writers in February, partly because it’s Black History Month, but mostly because I really want to do it. Sometimes I get a little too wed to the book themes. I have books I’ve wanted to read for quite some time now, but I let the themes drive my reading. (I do have control over this, there are no rules. I do have control. Really I do.)
So sometime between my second and third cup of coffee this morning, I decided to read (mostly) black/African American books in February. I was excited before I even got up from my chair. Perusing my shelves (reminder: I tend to use the book themes to read and potentially pare down the huge excess of books I have accumulated over the years), I found nonfiction quite fruitful:
Not so very gender balanced, I will admit. But note, I still haven’t gone through memoirs or foodish books. Still, a very exciting list of prospects for the month. I expect I’ll start with You Can’t Touch My Hair, immediately followed by Hidden Figures (which I bought shortly after seeing the movie).
I’m adding another book to the nonfiction mix for February, not specific to Black History Month, but relevant nonetheless: A Good Time for the Truth: Race in Minnesota (edited by Sun Yung Shin). Not all the writers are black, but several are, and it’s here in Minnesota. This is what I need to hear. To learn. To understand.
I haven’t finished going through all the general fiction yet, but I’ve been a bit surprised at the sparsity:
I might go to the “already read” shelves and pull a few favorites. Mama Day (Gloria Naylor) comes to mind. Then Sassafrass, Cypress and Indigo (Ntozake Shange). And The Color Purple (Alice Walker).
I also found a few mysteries (picked up back in the day when I was reading a lot more mysteries):
And a few science fiction/fantasy books (mostly purchased at WisCon, the annual feminist science fiction convention held in Madison, WI):
Again, a bit heavy on the women. And while that’s okay in general for reading (to make up for all those years of male classics), in this case I think I will need to add a few more male voices (since we didn’t read a lot of black male classics). Ellison’s Invisible Man immediately comes to mind. I would welcome other suggestions.
And I’ve decided that while a Black History immersion month is probably a good thing, I’ve decided to keep it up in a most modest way by resolving to read at least one African American book each month after February through the end of the year. Some might fit into a reading theme, but if not, I’ve realized I want to broaden my reading landscape more than I want to cleave to the theme.
I’m excited to bring this new focus into my life. Every once in a while, it’s really fun to go rogue.