Escapist Summer Reading

Last night a friend texted me, asking for some book titles for escapist summer reading, and if there were any I might lend. He cited the current news and politics, and sees hope swirling down the drain.

I asked for a bit of time to think on it. Think I did (and also scanned some bookshelves), and here is the list I came up with. It would be a different list for a different friend, but nonetheless, this is not a bad start for some escapist summer reading. Here is my emailed response, with just a few edits for privacy (I did think of deleting all the borrowing/lending notes, but thought that it might lead to an interesting comment or two on the lending and sharing of books).

Dear George,

Since you’re looking for escapist, I started with fiction, and specifically fantasy which I know you enjoy. Here are my suggestions:

(Note: All links are to Amazon, not because I like Amazon, but because you can usually click on the book and see what it looks like inside, which is a feature I really like, along with skimming the reviews.)

The Eyre Affair, by Jasper Fforde. This is probably my #1 escapist fantasy recommendation. They are set in the literary world, Thursday Next is the main character (a literary detective) and the books (there are several more) are a romp. You are welcome to borrow this (if I can find it—it isn’t where I thought it was).

The Hundred Thousand Kingdoms, by N.K. Jemisin. This is new (to me) and first in a trilogy. I have all three books (I finished the second one recently) but have not yet started the third. You are welcome to borrow the first if the series appeals to you. I can’t overly vouch for it because I haven’t finished it yet, but it has won several fantasy awards and she is a rising star.

The Golden Compass, by Philip Pullman. This is a YA, but it is quite brilliant and second only to Lord of the Rings, my favorite fantasy trilogy. I have this and you are welcome to borrow it. This is also highly escapist and it might actually vie with The Eyre Affair as my #1 recommend.

A Discovery of Witches, by Deborah Harkness. I read this several years ago when it first came out in paperback and absolutely loved it. But I didn’t want to buy the sequel in hardcover, and by the time it came out in paperback I lost track of it. But then I found book 2 and recently book 3 in the dollar bin, so I am interested in getting back to it. Yes, another trilogy. Obviously, I can’t vouch for the entire trilogy, but I loved the first book, which you are welcome to borrow.

Other Fiction:

Still Life, by Louise Penny. This is my favorite mystery series. It is wonderful, engaging, thoughtful, has an engaging cast of characters (including two artists, a cranky poet, a bookstore owner, and a gay couple who run a B&B), and perhaps best of all, it’s set in Canada, so it’s especially escapist. You may have read this already (but the cover of my book is different and looks like this).

The Sun Is Also a Star, by Nicole Yoon. This is the best book I have read in years. And it’s YA. But it packs a major punch and I totally loved it. I also read it in one day (even though it’s nearly 400 pages), so it would not be a book that would get you through much of the summer, but I just can’t say enough positive things about this book. Unfortunately, I cannot loan it to you because I borrowed it from the library.

And while I started with fiction, nonfiction can also be escapist (or, in some cases, soothing), and I know you read a lot of nonfiction. Here are some recommendations:

Braiding Sweetgrass, by Robin Wall Kimmerer. This is a book I am currently reading (subtitled “Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants) and it is beautiful. A lot of native stories, a lot of wisdom, a lot about nature, and some about history. I am only to about page 50 but am learning so much! The writing transports you into another world, and it’s starting to make me look at the world a little differently. More reverently. The author is both a Native American and a scientist, and it’s also a book about having your feet in two worlds. You can’t borrow this because I’m currently reading it (at a snail’s pace, because I like to read it in tiny segments). I would call this a highly spiritual book, but not in any sort of Christian sense of the word.

Grace (Eventually), by Anne Lamott. Anne Lamott is one of my favorite spiritual writers. Christian, yes, but also progressive and kind of cranky. I have learned quite a bit from her. Her short books are good, too. I’ve read two of them but passed both of them on because they just seemed they needed to be shared. I have not been at all impressed with her fiction, and she also has some books about being a mother that I haven’t read. But her spiritual writing is spot on (for me). I have two more of her books on my to-read shelf that I’m planning to read in the next few months. She is very good for these times.

The Hidden Life of Trees, by Peter Wohlleben. What, trees? This is another book I am currently reading and I am LOVING it. It is wild! Did you know trees communicate? By smell, and by roots touching, and by electromagnetic energy (conveyed through fungus!). This book is a total escape into a different and fascinating world. And sorry this is also unavailable as it is in my current reading pile.

Hidden Figures, by Margot Lee Shetterly. This is the book on which the movie was based. Quite different (not so humorous, more factual, more science, and a broader swath of characters) but equally interesting to the movie, which I loved. If you loved the movie, I think you will really like this book. If you haven’t seen the movie, I highly recommend it (available at the library). I am pretty sure I still have my copy of this if you want to borrow it (the book, not the movie).

And these two because I think they might appeal to your interest in art and artists:

Hold Still, by Sally Mann. This is a memoir that I haven’t read yet, but just look inside the book at the link, and you’ll see why I think it might be captivating. You can’t borrow this because I haven’t read it yet and I don’t lend out books I haven’t read because I’m selfish that way. The moment it has left the house I want to read it.

Just Kids, by Patti Smith. This is a memoir of Patti Smith’s relationship with Robert Mapplethorpe (much at the Chelsea Hotel). I’m not sure if you’re into this era or not, but I thought I’d include these last two kind of as wild cards. You can’t borrow this because it’s on someone else’s reading pile. It will be available somewhere down the road, but probably not before the next (presidential) election.

Whew! Hope you find something in here that appeals.

Happy Reading!

Liz

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Black History Month Reading: Coda

Last February, I decided to focus on black writers to honor Black History Month. I wondered if an immersive reading experience would have any kind of long-term impact. What might I learn?

Here’s what I read (in order, because I think that matters):

  • Hidden Figures, Margot Lee Shetterly (nonfiction, quite different from the movie but equally excellent)
  • On the Bus With Rosa Parks, Rita Dove (poetry, loved this)
  • The Sun Is Also a Star, Nicola Yoon (YA, I loved loved this book which I read in one day, which was really cool because it takes place over the course of one day)
  • You Can’t Touch My Hair, Phoebe Robinson (nonfiction, I learned huge amounts from this book—much of it about myself)
  • Like the Singing Coming Off the Drums, Sonia Sanchez (poetry)
  • Little Leaders: Bold Women in Black History, Vashti Harrison (children’s nonfiction, 40 black women—many I knew, but some not—I learned quite a bit!)
  • Morning Haiku, Sonia Sanchez (poetry)
  • Sula, Toni Morrison (fiction; I generally find Morrison’s fiction difficult. I expect she rewards rereading)
  • In Montgomery, Gwendolyn Brooks (poetry)

One thing I noticed as February progressed is the more I read, the more my interest in black literature increased. Since February I have read:

  • Ordinary Light, Tracy K. Smith (memoir)
  • We Should All Be Feminists, Chimamanda Ngozi Adichie (nonfiction; this is the first of her books I’ve read. I have Americanah on the to-read shelf)
  • The Hundred Thousand Kingdoms, N.K. Jemisin (fantasy, first in a trilogy; I got books 2 and 3 before I finished—but after I started, so that should tell you something. I think I might have to read all of her books.)
  • The Underground Railroad, Colson Whitehead (fiction)

This last (The Underground Railroad) is still in process, but I felt compelled to include it because there seems to be a slight skew to books by women. Although I do want to say that overall, I believe women do a better job of including and representing men in their work (fiction and nonfiction) than men do of including and representing women. This is to be expected, as women have learned to navigate this world that is mostly run by men.

I find a parallel in black literature: Black people do a better job of including and representing white people in their work than white people do including and representing black people. I learn a lot about white people from black people. Not so much the other way around. Black people have learned to navigate this world that is mostly run by white people.

People tell their story and the story of the people that dominate them.

Here is a big thing I learned from my immersion reading: The experiences I have as a woman experiencing discrimination in a man’s world are very different from the experiences of black people navigating a white world. I used to think it was similar. But there have been many times in my life when I have been in mixed male-female company and not felt like I had to keep my guard up at all. This is not so much the case with black people, because you just never know when someone might say something nasty. Always ready, just in case the insult comes. Because it does.

Another thing I learned was the importance of stereotypes. It is so easy—practically default—to go down the stereotype road. As I walk down the street towards three black men, do I think shy musical students? Well, no, not usually. But I did find after a month of intensive reading, I was looking at black people completely differently. I mentioned this to my librarian friend, and she suggested that all this reading has made black people more three-dimensional to me. It’s true. Through books I’ve met black scientists, physicists, computer programmers, immigrants, comedians, artists, and U.S. poet laureates.

Up next: Finishing Whitehead’s The Underground Railroad, and then getting back to the N.K. Jemisin trilogy. Lots of nonfiction to consider, but for now that will remain a tantalizing possibility.

The Joy of Correspondence (In Praise of Snail Mail)

When I quit my job a few years ago, I had some specific goals for the year I was going to take off. I planned to read as much as I wanted to, and I wanted to learn to cook from scratch (beans and whole grains, soups and such). I wanted to learn more about medicinal herbs and make some simple remedies, preferably from my own herbs. And I wanted to start a blog.

I did not have correspondence on my radar. However, correspondence has become a major part of my life over the last few years, a huge unexpected joy.

It started with the haiku project in 2013. Write a haiku a day, put it on a postcard and send it to a friend. My Montana friend gracefully agreed to be the recipient of said postcards, and I decided to try to do a postcard a day for a year. I missed only a very few days, and I’m still doing it.

A friend in Colorado read about the project and started her own version of a postcard project with a variety of recipients (some receiving daily postcards and some receiving weekly postcards). I was one of the weekly recipients (and some weeks I received more than one). I am still one of the weekly recipients (we postcard project people clearly are not quitters), and she started her project back in August of 2014.

Fast forward to the fall of 2015. I started having serious computer problems. Email longer than a few sentences became untenable. It took a few months to figure out, but in the meantime, I was losing touch with some of my out-of-town friends, including Jami in Colorado.

So I started sending letters and cards via snail mail. This might seem extreme, but when it is taking two or three days to send an email, snail mail begins to look quite inviting. And I had an entire drawer full of cards that I had collected or received as gifts over the years, so there was no expense except postage. (Oh, and the obsession I developed with finding fun writing pens—you may not realize it, but sometimes you need to use different kinds of pens on different kinds of paper. Slippery paper requires special care.)

Jami (Colorado) almost immediately asked if I wanted to move completely (almost) from email to snail mail for the duration of my computer problem. Yes! And so it began.

With a weekly postcard and a weekly letter or card from Jami, plus occasional mail from other friends that responded in kind, getting the mail became much more fun. And the more fun it became, the more I wrote. The computer got fixed, and Jami and I continued our snail mail correspondence and still do. But now, it’s more like three or four cards a week (blank notecards that we usually write on both sides and the back), and it’s come to the point where I’m more likely to get something personal in the mail on a given day than not. And it’s not just Jami. I have several friends in town who send occasional cards and notes, and just today I got a postcard from a friend visiting Hawaii.

Sometimes I run across a funny in the newspaper that makes me think of a friend, and I clip it and send it to them with a note in a card (and it usually ends up being a longish note, because these are friends, and there are always things to say; also, smaller cards can be used if you are feeling somewhat less verbose on a given day).

I have one friend that I like to send scandalous postcards to because they make her burst out laughing when she finds them in the mailbox.

The payback? The payback is pure joy. First, I love writing (hence blog), so there’s that. But writing to close friends is more personal than the blog, and it can help me process feelings simply by writing them down, which is very grounding, so that’s a second thing.

Third, I get to support the U.S. mail system, which I think is one of the best things in this country. (And it also gives me an excuse to buy lots of the fun stamps the post office puts out, which I am tempted to count as number four but I won’t.)

Fourth, it brings joy into other people’s lives (a funny postcard, a poem, various goings-on, updates on important things like cooking successes and failures)—it singles a person out, and that means something; when the card is from a friend, you know it was chosen specifically for you; the words are written only to you. This primitive act of finding just the right card (or stationery), writing it, putting it in the envelope and addressing it (which of course means finding the address book), stamping it, and dropping it in the mailbox—somehow this primitive act does so much more than email. (I’m not sure which end experiences the greatest benefit, but I’m guessing the writer.)

Fifth, if you’re lucky, you might find a bit more personal mail on your porch floor (or wherever your snail mail lands). It’s fun. You pick it up, hold it in your hands. Read it (or tear it open and then read it), and if it’s a card, you often prop it up so you can enjoy it—usually for several days. (When’s the last time you propped up an email?)

Sixth, even if you don’t get more snail mail, you might strengthen relationships. I copied Jami’s weekly postcard idea and started sending a weekly postcard to my niece. This has led to a lot more correspondence (via text and email) and we’re both learning more about each other, which is a lot of fun.

Seventh, the correspondence can also be a form of artistic expression (especially with postcards). On my best days, the postcard picture reflects the haiku, and on the very best days, the stamp does too.

If this is new to you and you’re intrigued, you might want to consider starting small. Dig out some old postcards you got on vacation; send a note to a friend you’ve lost touch with.

Or perhaps you jump in with both feet and start your own project. A weekly postcard to an aunt or an old high school friend. A monthly riddle to your family….

If you like to write, you might be surprised at how much fun this can be. Addicting, really. Don’t say you weren’t warned.

Black History Month Reading: Day 14

I’m close to finishing Phoebe Robinson’s You Can’t Touch My Hair (one chapter left to go) and have pretty much loved it. The thing about Phoebe Robinson is that you (or at least I) feel like she’s standing right there talking to you. She’s funny, direct, and honest. First off, I learned a lot about hair. Black hair in general and women’s in particular. You might not care about this, but I found it fascinating, and it has given me a new appreciation (and the occasional silent wow) for black women’s hair. Don’t touch it. Don’t ask to touch it.

Moving beyond hair, Robinson addresses stereotypes, or what she calls the monolith of black, which I totally got when I read:

Blackness is not a monolith. There’s nerdy black, jock black, manic pixie dream black, sassy black, shy black, conscious black, hipster black . . . the list goes on and on.”

After a nanosecond of introspection, I realized I have a bit of this monolith perspective myself. (This comes up in many of the books I’m reading—the perceptions, the expectations, the stereotypes. My eyes are opening a bit. I read on.)

Because I am an introvert and tend to analyze everything social, this, in particular resonated with me:

I don’t know about other black people, but that Greek chorus of “But what will the white people think?” has been a constant in my brain for much of my life. “Man, I truly am going to be late, not because of CPT but because of traffic. But what will the white people think?” “I really want to order certain food off this menu at dinner. But what will the white people think?” “I want to speak out about some injustice I just witnessed. But what will the white people think? That I’m a troublemaker? Guess I should keep my mouth shut.” Do you know the amount of minutes, hours, days, weeks, months, years that have been wasted second-guessing each and every behavior because I was wary of how I was going to reinforce or dismantle certain stereotypes?”

This is an excellent book, and I haven’t included any of the funny bits, some of which were quite exceptionally funny.

After You Can’t Touch My Hair, I decided maybe a little balance with the old school was in order, so I pulled out bell hooks and Alice Walker. I thumbed through both, decided on Alice Walker, and life was good. But then I went Stop! Why go old school? Why not read another up-and-coming (or at least on my bookshelves for less than a decade) author? So I put Ms. Walker back and pulled Tracy K. Smith’s Ordinary Light off the shelf.

I’m not dismissing Alice Walker or any of her peers, but I think it’s time for me to get in touch with a younger generation of writers. Smith is Poet Laureate of the United States, and I’ve read a bit of her poetry, but Ordinary Light is a memoir, the story of “a young woman [born 1972] struggling to fashion her own understanding of belief, loss, history, and what it means to be black in America.”

I am beginning to begin to understand just a wee bit of what it means to be black in America.

In the fiction world, I loved The Sun Is Also a Star, by Nicola Yoon. Here is what you have: a girl all about science, a boy who writes poetry. She is a Jamaican immigrant scheduled to be deported at the end of the day. He is a Korean American, the younger son, destined to become a doctor. Science meets poetry. This YA book is a wonder on many levels. First of all, it has physics and multiverses (one of my pet physics theories and my own preferred explanation of infinity), and then you add poetry and I’m a goner. So much more—lawyers, parental issues, family angst… I won’t say more except that I laughed out loud, cried (more than once), and loved it.

In the world of poetry, I have moved on to Sonia Sanchez, Like the Singing Coming Off the Drums. A beautiful book I want to read slowly but can’t. I will leave you with this:

love between us is
speech and breath, loving you is
a long river running

 –Sonia Sanchez

 Happy Valentine’s Day!

Black History Month Reading Day 6

I’ve finished Hidden Figures, by Margot Lee Shetterly. What an excellent book! Both deeper and broader than the movie, the book covers a longer period of time, a larger swath of people (including African American men) and, occasionally, areas outside Langley and the state of Virginia. The book, Hidden Figures, is about many more hidden figures than the three highlighted in the movie.

I loved the book. I loved the movie. As is usually true, the book holds a lot more than the movie. There’s a lot of history, and many more stories in the book than could ever make it into one movie. It would have to be a documentary. Or several documentaries.

But here’s something. Almost always I will say I loved the book more than the movie (there are a few exceptions, and I’ll think of one soon—maybe The Hours). But in this case, I didn’t love the book more than the movie, but nor did I love the movie more than the book. I loved them differently, in a way that I’m not sure has ever happened to me before.

The movie was a good bit of history, but its primary impact on me was emotional. I was just there with these women. Certainly I learned a lot in the movie, but when I walked out of the movie, I was all yes!—Give women a chance and a place at the table and we can do just about anything. And these black women who broke so many barriers in the face of so much discrimination—it makes me pause in awe.

The book layered a lot more history on that good feeling, which was also a good feeling.

And then somewhere in there I took a break and watched Bagdad Café again. Does anyone out there know/remember this movie? One of my all-time faves (I think it would have to be in my top 10). I loved this movie for the music first, most specifically “Calling You” by Jevetta Steele—a mesmerizing and haunting song. I am not sure I can listen to this song without being moved to tears (is there any other song that falls into that category? Oh, yes, “What a Wonderful World,” by Louis Armstrong).

It might not work if you haven’t seen the movie (the emotional wallop of the song, I mean), not sure—I’ve mostly only heard it watching the movie (at least a dozen times now).

But this quirky movie is worth watching if it has escaped your radar. It’s one of those movies I seem to enjoy just a bit more each time, and I never tire of C.C.H. Pounder.

And I have recently learned that this song that I have loved for decades is sung by a local musician. Yes, right here in the Twin Cities. Jevetta Steele, part of the Steele family. (Thank you dear spouse for bringing this to my attention; I have a tendency to miss things close to home.)

Back to books. In the land of poetry, I’m On the Bus with Rosa Parks, by Rita Dove. About two-thirds through, I am thoroughly enjoying it. I especially liked the second section, “Freedom: Bird’s-Eye View,” which contains several gems. One of the best known may be “Maple Valley Branch Library, 1967,” and that certainly is a most excellent poem. I thought to include that one because I love it. But I decided on this one because it’s shorter and perhaps a little less well known.

The First Book

Open it.

Go ahead, it won’t bite.
Well . . . maybe a little.

More a nip, like. A tingle.
It’s pleasurable, really.

You see, it keeps on opening.
You may fall in.

Sure, it’s hard to get started;
remember learning to use

knife and fork? Dig in:
You’ll never reach bottom.

It’s not like it’s the end of the world—
just the world as you think

you know it.

–Rita Dove

We’re still in serious winter here in Minnesota, so I’m going back to hibernating with my books. Stay warm (to those of you in the winter climes) and happy reading to all!

Black History Month Reading: Day 1

No, I’m not going to do a daily report (I don’t read—or write—fast enough to make a daily report interesting) but I hope to provide several updates throughout the month.

A few days ago I started Phoebe Robinson’s You Can’t Touch My Hair and Other Things I Still Have to Explain. I’m about a quarter of the way through and loving it. At least three times I’ve almost gotten up from the table to email Ms. Robinson and tell her how much I am loving her book, but coffee and inertia win out. There’s a good chance I’ll still write her. From my chair, the first two chapters of the book alone were worth the price. Already I respect black women more (yes, this is how much I don’t know). The power of hair.

To leaven the pot a little bit, tonight I read the preface of Hidden Figures, by Margot Lee Shetterly (on which the movie—which I loved—was based) and I got teary-eyed just with the preface. This is some fine history of the key role that black women played in the NASA space program. (If you haven’t seen the movie—oh my. I will only say I loved it. I’m sure not everyone should love it just because I loved it, but really, in this case, maybe yes. Excellent story, excellent acting. And you can get it from the library.)

I was a little surprised/disappointed that I didn’t have any African American poetry on my to-read shelf (I found several on my poetry-to-keep-forever shelf, but I find I want to go beyond what I have already read). I requested several books from the library in late January, as soon as I discovered my in-house dearth. The next day, five were already in transit. Yes! I checked online this morning, and still none had arrived. But this afternoon I took a chance and stopped by the library. You never know when the books might arrive. I headed right to the reserve books, and boo, none had arrived. So I hunted up poetry (buried in nonfiction, which surprised me, and all mixed up with essays and children’s books—I need to ask my librarian friend about this; it feels like Dewey Decimal run amok). That was fruitless, but the 10 minutes I stood trying to make sense of the shelves made a difference. I stopped by the reserve shelves on my way out, and yes! There they were, 3 (of 10) that I requested: On the Bus with Rosa Parks, by Rita Dove; and Morning Haiku and Under a Soprano Sky, both by Sonia Sanchez.

And while logic would have it that I start with Sonia Sanchez so that I could then read Dove and not get all samey-samey, I purely could not stop myself from starting with the Rita Dove book. I have read only the first bit, but I am happy with my choice. I love Rita Dove (2 books on the keep-forever shelf) and this is a most excellent start to the month.

I’m not new to black literature, but this immersion experience is new. I know I will learn a lot. I wonder if it will change me. It well might. This is the power of books.

I’ll keep you in the loop.

Going Rogue (Bookishly) for Black History Month

A funny thing happened as I was finishing up the “Love” chapter of Krista Tippett’s book, Becoming Wise: An Inquiry into the Mystery and Art of Living. Somewhere after reading longish passages from her conversations with Elizabeth Alexander (African American poet) and finishing the chapter, I decided I needed to read more black and African American literature. I decided to prioritize all the black writers in my theme pile for February.

Guess what? Not a one. Well, boo. January was great with African American writers I didn’t get to. So I decided to go rogue and push the book theme to the side (not completely) and focus on black writers in February, partly because it’s Black History Month, but mostly because I really want to do it. Sometimes I get a little too wed to the book themes. I have books I’ve wanted to read for quite some time now, but I let the themes drive my reading. (I do have control over this, there are no rules. I do have control. Really I do.)

So sometime between my second and third cup of coffee this morning, I decided to read (mostly) black/African American books in February. I was excited before I even got up from my chair. Perusing my shelves (reminder: I tend to use the book themes to read and potentially pare down the huge excess of books I have accumulated over the years), I found nonfiction quite fruitful:

  • The Light of the World, Elizabeth Alexander
  • The End of Blackness, Debra J. Dickerson
  • Bad Feminist, Roxanne Gay
  • Wounds of Passion, bell hooks (plus a few of her other books that I haven’t read yet)
  • You Can’t Touch My Hair, Phoebe Robinson
  • Hidden Figures, Margot Lee Shetterly
  • Ordinary Light, Tracy K. Smith
  • Living By the Word, Alice Walker
  • Men We Reaped, Jesmyn Ward

Not so very gender balanced, I will admit. But note, I still haven’t gone through memoirs or foodish books. Still, a very exciting list of prospects for the month. I expect I’ll start with You Can’t Touch My Hair, immediately followed by Hidden Figures (which I bought shortly after seeing the movie).

I’m adding another book to the nonfiction mix for February, not specific to Black History Month, but relevant nonetheless: A Good Time for the Truth: Race in Minnesota (edited by Sun Yung Shin). Not all the writers are black, but several are, and it’s here in Minnesota. This is what I need to hear. To learn. To understand.

I haven’t finished going through all the general fiction yet, but I’ve been a bit surprised at the sparsity:

  • Americanah, Chimamanda Ngozi Adichie
  • Zanzele, J. Nozipo Maraire
  • Sula, Toni Morrison
  • The Intuitionist, Colson Whitehead
  • Wench, Dolen Perkins-Valdez

I might go to the “already read” shelves and pull a few favorites. Mama Day (Gloria Naylor) comes to mind. Then  Sassafrass, Cypress and Indigo (Ntozake Shange). And The Color Purple (Alice Walker).

I also found a few mysteries (picked up back in the day when I was reading a lot more mysteries):

  • A Little Yellow Dog, Walter Mosley
  • Hidden in Plain View, Blair S. Walker
  • Easier to Kill, Valerie Wilson Wesley
  • Killer Riches, Chassie West

And a few science fiction/fantasy books (mostly purchased at WisCon, the annual feminist science fiction convention held in Madison, WI):

  • Clay’s Ark, Octavia Butler
  • Parable of the Talents, Octavia Butler
  • Redwood and Wildfire, Andrea Hairston
  • The Killing Moon, N.K. Jemisin
  • The Hundred Thousand Kingdoms, N.K. Jemisin
  • Filter House, Nisi Shawl

Again, a bit heavy on the women. And while that’s okay in general for reading (to make up for all those years of male classics), in this case I think I will need to add a few more male voices (since we didn’t read a lot of black male classics). Ellison’s Invisible Man immediately comes to mind. I would welcome other suggestions.

And I’ve decided that while a Black History immersion month is probably a good thing, I’ve decided to keep it up in a most modest way by resolving to read at least one African American book each month after February through the end of the year. Some might fit into a reading theme, but if not, I’ve realized I want to broaden my reading landscape more than I want to cleave to the theme.

I’m excited to bring this new focus into my life. Every once in a while, it’s really fun to go rogue.